1133
(6 votes, average 3.00 out of 5)
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Thursday, 17 June 2010 19:24 |
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Forgettable, loud and obnoxious techno noise but with a cool and crazy video shot in the subway system of Paris, France. Featuring a fast moving and insanely fun relay race, the camera has such an incredibly fast framerate that the fluorescent lights can be seen to be flickering, which would otherwise be imperceptible to the naked eye because of their incredibly high frequency. Ridiculously Awesome.
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Read more... [Sovnger - Blake, What I like]
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1131
(4 votes, average 3.50 out of 5)
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Sunday, 07 March 2010 16:06 |
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It was on an October night, in Paris. We went to a pub, made some noise outside with a German band. Kele, Bloc Party's singer, went out. We asked him to sing. He said no. We asked again, he said 'yes but'. Then, we asked again... Here it is, just one song, an old song, played acoustic for the first time.
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Read more... [Bloc Party - This Modern Love]
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1130
(16 votes, average 4.63 out of 5)
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Sunday, 07 March 2010 15:45 |
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"We had been playing cat and mouse for months. We attended the same shows in Paris, talked a little, mentioning maybe we could do something together... to then see them leave, become huge, and even more intriguing, elusive. It took eight months for this Take Away Show to happen, for them to be free just one afternoon despite their super busy Hollywoodian schedule.
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Read more... [Phoenix - 1901]
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1128
(8 votes, average 4.50 out of 5)
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Sunday, 07 March 2010 14:03 |
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If Dan Snaith has mastered one aspect of his music career, it's change. Not the remodeling or renovation sort, more the alterations and adaptations with purpose. The steady upward progression in replayability between 2001's glitchy Start Breaking My Heart and 2005's towering Milk of Human Kindness feels like a problem of some sort was solved. Which makes room for the comparative left-turn of Andorra, which both felt like a huge surprise (songs!) and a logical extension (songs with insane drumming!) of what he'd always been doing.
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Read more... [Caribou - Odessa]
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1125
(1 vote, average 4.00 out of 5)
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Friday, 05 March 2010 19:40 |
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Just when you thought that R.E.M.’s three-legged dog don’t hunt no more, in "Accelerate" they turn in their most powerful and cohesive work since 1992’s "Automatic for the People", a record brimming with all the things that made them great in the first place: clangy autumnal melodies, droney proto-emo vocals, trippy nuance, the haunted poetics of regret, the routine eschewing of the obvious and the familiar in pursuit of the sublime and the unexpected.
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Read more... [REM - Until the day is done]
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